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Mobius
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Artist A-Z > CLASSICAL CDs > Mobius

Bax Bax
Harp Quintet / Elegiac Trio / Fantasy Sonata
"Some of the best Bax is here. In these atmospheric pieces he was able to throw off the fetters of inherited symphonic forms and allow his Celtic fantasy to pursue its own improvisatory course. The melodic writing is free and fertile. Bax's harp writing is especially poetic. Best of all is the short, moody Elegiac Trio. The Fantasy Sonata, for harp and viola, is remarkable for the way it holds the attention for well over 20 minutes; not easy with two such reticent instruments. The six musicians of Mobius play this music with feeling, imagination and energy, proof that harp music doesn't have to be all elfin and willowy." Stephen Johnson BBC Music Magazine, October 2000

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Herbert Howells Herbert Howells
Rhapsodic Quintet / Violin Sonata No. 3
Although Herbert Howells is known chiefly for his large body of church music, arguably the finest by any English composer of the twentieth century, he also wrote major choral, orchestral and chamber works. At the outset of his career Howells came to prominence largely through a series of striking chamber compositions including the Rhapsodic Quintet of 1919, which he described as having ‘a mystic quality’. Dedicated to one of the great violinists of the time, Albert Sammons, the Third Violin Sonata arose directly from Howells’s visit to Canada four years later. The overwhelming impact that the Rocky Mountains made on the composer when he travelled through them by train is reflected in the more dissonant and chromatic harmony compared with his other works of the period.

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Villa-Lobos Chamber Music Villa-Lobos Chamber Music
Heitor Villa-Lobos put Brazilian music on the cultural map with an output that can be compared to the vastness and diversity of his own country. This survey of Villa-Lobos’ chamber works spans his entire career, from the attractively wistful Song of the Black Swan (1917) to the refined, and rarely-recorded Quintette instrumental (1957). The Duo for Violin and Viola (1946), as substantial a piece as those by Mozart and Martinu, includes one of the composer’s most haunting Adagios.

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